After months of playing "The Opposite of Hallelujah" at least twice a week, I'm officially sorry I underrated Jens Lekman's
Night Falls Over Kortedala. Cavils about his flat, doleful voice aside, I admire how the arrangements (those strings!) consistently undercut the bathos; in a few cases, they inflate the bathos, waiting for a well-timed lyric here or backup singer there, in a thrilling reminder that, at this stage in his career, Lekman understands self-parody better than Morrissey did.
For me it's "A Postcard to Nina" and especially whatever track 11 is called--the two-minute coda is so casually the most ambitious and successful orchestral-pop thing I've heard in eons.
ReplyDeleteHey, nice!
ReplyDeleteI'm still gutted he never made our 50. HOW COULD IT NOT EVEN MAKE THE 50!?
ReplyDelete