I last listened to "I think That She Knows" when New Order's "Dream Attack" succeeded it on my iPod's running order. Their similarities are striking. I love Bernard Sumner's tone; instead of the voice of the detached techie (to borrow Robert Christgau's affectionate moniker), we hear a guy so enraptured that it feels as if his voice might crack if forced to utter another syllable. The picked guitar and synth backdrop in "Dream Attack" conjure a post-erotic dawn; "I Think That She Knows" evokes pre-erotic awe; this coda sounds sexless, like a medieval painter contemplating the mysteries of the Virgin. It's the singer shedding one mask for another. Imagine JT exchanging the dancing-fool swagger for sensitivo acoustics once he's home and had time to assimilate his experience. He's singing and writing about an impression that's beyond his emotional capabilities; the best he can do is to compare it to being really stoned.
Friday, August 3, 2007
Love is like marijuana
I last listened to "I think That She Knows" when New Order's "Dream Attack" succeeded it on my iPod's running order. Their similarities are striking. I love Bernard Sumner's tone; instead of the voice of the detached techie (to borrow Robert Christgau's affectionate moniker), we hear a guy so enraptured that it feels as if his voice might crack if forced to utter another syllable. The picked guitar and synth backdrop in "Dream Attack" conjure a post-erotic dawn; "I Think That She Knows" evokes pre-erotic awe; this coda sounds sexless, like a medieval painter contemplating the mysteries of the Virgin. It's the singer shedding one mask for another. Imagine JT exchanging the dancing-fool swagger for sensitivo acoustics once he's home and had time to assimilate his experience. He's singing and writing about an impression that's beyond his emotional capabilities; the best he can do is to compare it to being really stoned.
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1 comment:
I've been listening to Technique at work recently. It's pretty good, eh?
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